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<table border="0" cellpadding="3" cellspacing="1" width="100%" class="forumline"> <tr> <th class="thCornerL" width="22%" height="26">Author</th> <th class="thCornerR">Message</th> </tr> <tr> <td width="22%" align="left" valign="top" class="row1"><span class="name"><a name=""></a><b>cheapbag214s</b></span></td> <td class="row1" height="28" valign="top"><table width="100%" border="0" cellspacing="0" cellpadding="0"> <tr> <td width="100%"><img src="http://picsrv.fora.pl/subSilver/images/icon_minipost.gif" width="12" height="9" alt="Post" title="Post" border="0" /><span class="postdetails">Posted: Tue 23:52, 27 Aug 2013<span class="gen"> </span> Post subject: as the audience likes it-spun3</span></td> </tr> <tr> <td colspan="2"><hr /></td> </tr> <tr> <td colspan="2"><span class="postbody">as the audience wants it,<a href="http://kevindurantnerfshoesreleasedate.blogspot.com/" target="_blank" class="postlink"><span style="font-weight: bold">kevin durant shoes</span></a> <br />'Let them misbehave," says Edward Hall. 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"No one was saying 'Don't'," he recalls. "We were saying, 'Do! Express yourself!'" <br />The play was fast, clear and razor sharp. The children weren't obtaining a cast-off or perhaps a cobbled-together workshop piece: these were getting a top-class professional production, however in a stripped-down form. "The main thing was it was a version of a full production, therefore it was well-resourced, well-explored,<a href="http://parajumpersoutletjackets.webmium.com/" target="_blank" class="postlink"><span style="font-weight: bold">parajumpers jackets outlet</span></a>, and well-rehearsed," says Hall. <br />In one school in Brooklyn, they played to 900 high-school kids -- and also got them singing along to an acapella version of Purple Haze which had somehow found its way into Hall's script. <br />"As soon as we exercised how you can hone in on people's energies, it became popular. The actors had a complete ball." <br />Much of the comment and publicity around Propeller targets their becoming an all-male company. For Hall, having men play women could make for provocative and illuminating insights in to the sexual politics of Shakespeare's plays, and reinforces their theatricality. But it is not crucial, he admits that, and might change in the future. Instead, he focuses on two core facets of his work with Shakespeare. <br />"The very first thing would be to crack how they speak the word what, so that it's crisp and clear and is sensible. It's just like a bit of blues music: you need to learn the chords; the way you play it is up to you,<a href="http://peutereyjacketsuppliers.webmium.com/" target="_blank" class="postlink"><span style="font-weight: bold">Peuterey Jacket uk</span></a>, however,<a href="http://giuseppezanottisneakers.webmium.com/" target="_blank" class="postlink"><span style="font-weight: bold">giuseppe zanotti</span></a>, you need to remain in key. Once you have cracked it, it should and does sound quick, light, natural. It's riffy, like a street lingo; it's jive in it, like rapping. <br />"The second isn't to fall into the trap of presenting the play the way you think it had been intended to be presented. The doublet and hose and big costume items that is often used to set the play as Shakespeare set it -- that's actually a 19th-century idea. Am I supposed to create a 21st-century concept of a 16th- century idea of Venice, when Shakespeare had never been there?" <br />The concept is ridiculous, he suggests; and casting off this baggage liberates him to set the plays however they will best product. He proves absolute truths and then contradicts them. 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